It Was Just an Accident (2025)

★★★★ The very existence of this Iranian drama feels like a triumph in itself, and though its gradually mounting tension might challenge some viewers, those who stay the course will witness one of the most unforgettable cinematic climaxes in recent memory.

If I Had Legs I’d Kick You (2025)

★★★★ This psychological fever dream pulses with relentless stress and tension, likely overwhelming for most viewers, yet Rose Byrne delivers a stunningly honest and unfiltered portrait of a mother pushed to her limits.

Left-Handed Girl (2025)

★★★★1/2 Shih-Ching Tsou's tender debut, solo feature takes us on an immersive and vibrant tour through the streets of Taipei, with cultural expectations intensifying the domestic dynamics and melodrama at its core.

Jay Kelly (2025)

★★★★ Noah Baumbach's unexpectedly gentle Hollywood satire sidesteps self-indulgence by skilfully blending sharp humour and genuine empathy for celebrity culture, as Sandler effortlessly outshines a soul-searching Clooney.

Zootropolis 2 (2025)

★★★★ By successfully recreating the charm, creativity, and humour that made the original film so enjoyable, Disney demonstrates that it is currently more effective at reviving familiar animated properties than developing new ones.

Train Dreams (2025)

★★★★1/2 Clint Bentley crafts an intimate yet sweeping drama that lingers in the quiet ache of everyday life, letting grief unfold through prolonged moments of silence and some of the most stunning imagery you will see all year.

Wicked: For Good (2025)

★★★ The eagerly awaited sequel offers a competent return to the hit musical, but despite Erivo and Grande's best efforts, its wavering tone and less memorable songs keep it from soaring to the heights of its predecessor.

The Running Man (2025)

★★1/2 Edgar Wright maintains the relentless energy of his earlier films with some well choreographed action, but this underwhelming take on Stephen King's "The Running Man" stumbles, lacking the filmmaker's signature polish and wit.

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